The Iconographic Evaluation of A Group of Reliquary Crosses Depicting The Virgin and Christ-Child from The Halûk Perk Museum Halûk Perk Müzesi’nden Meryem ve Çocuk Isa Betimli Bir Grup Röliker Haçın Ikonografik Bakımdan Değerlendirilmesi


Ünal C., ÇAKMAKÇI Z.

Art-Sanat Dergisi, sa.20, ss.669-703, 2023 (ESCI) identifier

  • Yayın Türü: Makale / Tam Makale
  • Basım Tarihi: 2023
  • Doi Numarası: 10.26650/artsanat.2023.20.1289947
  • Dergi Adı: Art-Sanat Dergisi
  • Derginin Tarandığı İndeksler: Emerging Sources Citation Index (ESCI), Scopus
  • Sayfa Sayıları: ss.669-703
  • Anahtar Kelimeler: Byzantine, Cross, Halûk Perk Museum, Iconography, Reliquary Cross, Theotokos
  • Dokuz Eylül Üniversitesi Adresli: Evet

Özet

The Halûk Perk Museum in Istanbul is notable for its large collection of reliquary crosses with a rich iconographic diversity. This article focuses on 14 reliquary crosses depicting the Virgin with Christ-child, selected from this valuable collection. It is possible to see various types of the Virgin, such as Blachernitissa, Kyriotissa, Hodegetria, Nikopoios and Episkepsis, which are used in different examples of Byzantine art, on the reliquary crosses. In our study, five different iconographic types of the Virgin were identified among the reliquary crosses in the collection. The densest group among these are those depicting the Virgin Blachernitissa with 7 examples. Among the reliquary crosses, there is a rare example that we have identified as the Virgin Episkepsis and another example that we are discussing whether it is Kyriotissa or not. In addition, in the study, was drawn attention to the presence of different iconographic types of the types of Virgin on the reliquary crosses, which are not seen in different types of works of Byzantine art, but can be seen on reliquary crosses. 14 reliquary crosses, which are presented in detail in the catalog, 13 of them with engraving technique, date back to the 11th century with analogical and iconographic evaluations; In a single example with relief technique, it belongs to the 11th-12th century. The reliquary crosses in the collection were comparatively analysed and evaluated in the light of the different views and interpretations of iconographers on the types of the Virgin in Byzantine art.