Back to the Roots: The Matriarchal Nature of Cannibalism and the Transformation of Patriarchy in Frank Marshall's Alive and Antonia Bird's Ravenous


Koç S.

Food in American Culture and Literature: Places at the Table, Carl Boon,Nuray Önder,Evrim Ersöz KOÇ, Editör, Cambridge Scholars Publishing, Newcastle Upon Tyne, ss.209-221, 2020

  • Yayın Türü: Kitapta Bölüm / Araştırma Kitabı
  • Basım Tarihi: 2020
  • Yayınevi: Cambridge Scholars Publishing
  • Basıldığı Şehir: Newcastle Upon Tyne
  • Sayfa Sayıları: ss.209-221
  • Editörler: Carl Boon,Nuray Önder,Evrim Ersöz KOÇ, Editör
  • Dokuz Eylül Üniversitesi Adresli: Evet

Özet

The Merriam-Webster and the Oxford English Dictionary define the term

cannibalism as “the practice of eating human flesh,” “the usually ritualistic

eating of human flesh by a human being” or “(among animals) the fact of

eating other animals of the same type.” These definitions are made in the

sense of physical and biological approaches. On the other hand,

cannibalism includes a more sophisticated and psychological entity. The

habit of eating human flesh is considered disgusting behavior and is

strictly forbidden in many cultures, but there is a reality that once (and

sometimes still) there were/are communities taking the cannibalistic

practice as acceptable (Knauft; Sanday and Godelier; Schutt). So it can be

claimed that just like being an omnivore, cannibalism can be called

acceptable in some instances. Here stands the primal question of what

caused an acceptable practice to become an unacceptable behavior. This

study questions the concept of cannibalism in the basis of matriarchy and

patriarchy and presupposes that the cannibalistic praxis has been banned or

rendered taboo in opposition to nature and matriarchy through time. In

order to scrutinize this presupposition, two movies, Alive (1993) and

Ravenous (1999), will be analyzed.