This work is fundamentally focused on the aesthetization of meta and art. The changes that art has made have come to the work of the global economy, or it has been done through it personally. Political, sociological and economic changes of societies also affected artistic understanding of the artist. Art has changed rapidly in a dynamic process and various art movements have emerged. The emergence of new artistic trends have also been influenced by some technological developments. Technological developments have changed the production processes of the art work. The concepts of art and design have become increasingly intertwined. But the dynamics of change are not limited to these. The meaning of space for art has also changed. In the past, space was necessary for exhibiting art, but it is now necessary for both exhibition and sale. As a result, the artwork was stripped of its aura and has turned into accessible, popular products for everyone. Artwork is now a commercial value. Whatever happens, the way in which the concepts of art, artist and artwork are handled now is quite different. Art is now both a meta and is important instruments of winning the commodity value of other things. Art is a new tool for creating exchange value to things that have lost value in use. But art does not do it alone. This study examines how art has achieved this dual function and explains how he does it. The study tries to prove how the various forms of art and the economic universe are intertwined with one another on current examples. The best current examples come from advertising and fashion, which has melted art in itself, but today they are also a strong commercial sector.